It's happened again, folks.
This time I can't say it's as much of a surprise, but Pocket has decided not to pick up the next title in the MetaWars superhero series. So for the handful of you who've been clambering for Gage's book....um....maybe some day?
The trouble with promising to one day self-publish more MetaWars is time. I still have a book due to Berkley for my werewolf trilogy. I still want to finish up the Dreg City books. I have more ideas than I can shake a stick at, as well as other projects that are keeping me quite busy. I don't know when I'll be able to fit Gage's book into my schedule--and that's just writing it. Never mind the production aspect of self-publishing a book.
So for now, the MetaWars series is, if not over, certainly on an extended hiatus.
I'm sorry I didn't do better by these characters and by my loyal fans.
Showing posts with label MetaWars. Show all posts
Showing posts with label MetaWars. Show all posts
Monday, May 12, 2014
Thursday, November 28, 2013
Free Read!
Right now, TRANCE is a free read at XOXO After Dark until December 16. It's the first book in my MetaWars series of original superheroes living in a post-almost-apocalypse world that fears anyone with powers.
So if you haven't jumped on board with MetaWars yet, now's a good time to try it out!
So if you haven't jumped on board with MetaWars yet, now's a good time to try it out!

Tuesday, November 12, 2013
MetaWars Bundle Update
So one or none of you may have noticed that the MetaWars bundle (a four-book collection of TRANCE, CHANGELING, TEMPEST and CHIMERA) is no longer for sale.
The bundle had to be pulled and renamed for reasons I can't talk about, but I'm assured once it's retitled I'll have a new release date for folks who were interested in purchasing all four books at one great price.
Thank you for your patience, and for your support with CHIMERA'S release yesterday.
The bundle had to be pulled and renamed for reasons I can't talk about, but I'm assured once it's retitled I'll have a new release date for folks who were interested in purchasing all four books at one great price.
Thank you for your patience, and for your support with CHIMERA'S release yesterday.
Friday, November 08, 2013
Giveaway!
The celebrate Monday's release, my publisher is giving away promo code for a copy META.WARS: THE COMPLETE SERIES, which bundles together TRANCE, CHANGELING, TEMPST, and CHIMERA!
Your first chance to win is at Yummy Men & KickAss Chicks.
Note: the promo code is not compatible with Kindle (sorry, this is a Simon & Schuster thing).
Your first chance to win is at Yummy Men & KickAss Chicks.
Note: the promo code is not compatible with Kindle (sorry, this is a Simon & Schuster thing).
Tuesday, November 05, 2013
In Which I Get Brutally Honest and Try to Explain Formatting and Why It's Not Always Up to Me
This post was prompted by a reader email asking me when I was going to make all of my books available in paperback. I've been receiving variations of this question more and more frequently lately, so I thought I'd lay it all out there, and hopefully clear the air on what's available and how.
True Fact: Unless I self-publish something, the issue of format is not up to me.
Format is the way in which the book is presented for sale. Format possibilities include: mass market paperback, trade paperback, hardcover, digital, and audio (plus a lot more that are way too expansive and make my eyes cross a little bit when looking at a contract). But for the moment, these are the most popular formats.
For-sale format is, in the end, up to the publisher and what they contracted the book(s) for. This means that Bantam picked the format for Dreg City, and Pocket Star picked the format for MetaWars.
DREG CITY
The first four Dreg City books (Three Days to Dead, As Lie the Dead, Another Kind of Dead, Wrong Side of Dead) are all available in both digital and mass market format, through any major retailer. If you can't find the books on the shelves at your local bookstore, the bookstore can still order them.
It is no secret that book sales directly influence whether or not a publisher will contract an author for more books in a series (or if they will take a chance and buy a new series from the same author). And while Three Days to Dead did and continues to sell well, interest in the rest of the series has....well, dwindled. A lot. Readers weren't finding books two, three, and four, for whatever reason, so Bantam chose to not issue a contract for more Dreg City books.
I chose to digitally self-publish the fifth book (Requiem for the Dead) so that the story could continue in some format. And yes, I am considering a paperback format through Createspace. Why haven't I done it yet? Because self-publishing costs money. I have invested not only my time, but also money into the cover, the ISBN, and formatting the book for various platforms (because Kindle does not take the same formatting as for Nook). File formatting is beyond my capabilities, so I had to pay someone else to do this for me, and it isn't cheap. I will have to pay someone to format for Createspace. And I honestly can't tell myself that the cost for creating a printable file will be recouped in sales.
I hate having to think like a publisher and worry about money, but when you self-publish that's what happens. I have to hope I sell enough copies to recoup my investment and maybe go have a steak dinner.
METAWARS
MetaWars is a little trickier.
Trance and Changeling were contracted together for mass market and digital release. But the sales were pretty terrible. I'm being honest here. Maybe superheroes simply don't translate to print as well as comics or movies. Maybe the books weren't marketed correctly and people wrote them off as more fluffy urban fantasy. I don't know. In terms of availability, I believe Trance is still available in both mass market and digital, but Changeling did not go back for a second printing, so those copies are dwindling.Changeling is available in trade format through a print-on-demand service, but once the mass market copies are sold out, that's done.
When it came time to submit a proposal for more books, Pocket chose to only offer to publish books three and four (Tempest, Chimera) in digital format. I accepted the offer because I love these characters, and I love their world, and I wasn't ready to say goodbye. Digital only is better than nothing at all. Did I know going into it that I would lose readers? Yes, and I'm sorry for that. But I was going to lose readers no matter what.
Again, it's all about sales. Publishing is a business, and despite good reviews across the board, my books aren't selling well. When that happens, publishers go to a simpler format, or they don't offer another contract. Sometimes with digital first imprints, a book may be offered in print at a later date if the digital sales are good. This type of contract is happening more and more frequently for mid-list authors, as evidenced by a recent Publisher's Weekly article. This is the type of contract offer I received for my most recent submission to New York publishers (which I will talk about more when I am able). It's an interesting shift that reflects our changing times, when ereaders and smartphones are taking over our lives and our society.
I often have folks tell me they don't own a Kindle, or another e-reading device. The good news is that even if you don't have an e-reader, there are lots of free apps that allow you to read digital books on a smart phone, tablet, and even on your personal computer. For a long time, I read digital-only books on my laptop, because being able to read those stories was more important to me than having a paper book in my hands (then I finally saved up and indulged in a very basic Nook). There are ways to read digital books without buying an e-reader.
Digital is simply another format, much like hardcover or trade paperback. And digital is not going away. For some writers, it's becoming our lifeblood and our only source of income. Do I wish I could make all of my readers happy and give them the format they want? You bet your ass, I do. Can I? No. I don't wield that kind of power.
The only real power I have is to craft the most entertaining stories that I can possibly tell, and then do my best to get them into the marketplace.
After that, it's out of my hands.
True Fact: Unless I self-publish something, the issue of format is not up to me.
Format is the way in which the book is presented for sale. Format possibilities include: mass market paperback, trade paperback, hardcover, digital, and audio (plus a lot more that are way too expansive and make my eyes cross a little bit when looking at a contract). But for the moment, these are the most popular formats.
For-sale format is, in the end, up to the publisher and what they contracted the book(s) for. This means that Bantam picked the format for Dreg City, and Pocket Star picked the format for MetaWars.
DREG CITY
The first four Dreg City books (Three Days to Dead, As Lie the Dead, Another Kind of Dead, Wrong Side of Dead) are all available in both digital and mass market format, through any major retailer. If you can't find the books on the shelves at your local bookstore, the bookstore can still order them.
It is no secret that book sales directly influence whether or not a publisher will contract an author for more books in a series (or if they will take a chance and buy a new series from the same author). And while Three Days to Dead did and continues to sell well, interest in the rest of the series has....well, dwindled. A lot. Readers weren't finding books two, three, and four, for whatever reason, so Bantam chose to not issue a contract for more Dreg City books.
I chose to digitally self-publish the fifth book (Requiem for the Dead) so that the story could continue in some format. And yes, I am considering a paperback format through Createspace. Why haven't I done it yet? Because self-publishing costs money. I have invested not only my time, but also money into the cover, the ISBN, and formatting the book for various platforms (because Kindle does not take the same formatting as for Nook). File formatting is beyond my capabilities, so I had to pay someone else to do this for me, and it isn't cheap. I will have to pay someone to format for Createspace. And I honestly can't tell myself that the cost for creating a printable file will be recouped in sales.
I hate having to think like a publisher and worry about money, but when you self-publish that's what happens. I have to hope I sell enough copies to recoup my investment and maybe go have a steak dinner.
METAWARS
MetaWars is a little trickier.
Trance and Changeling were contracted together for mass market and digital release. But the sales were pretty terrible. I'm being honest here. Maybe superheroes simply don't translate to print as well as comics or movies. Maybe the books weren't marketed correctly and people wrote them off as more fluffy urban fantasy. I don't know. In terms of availability, I believe Trance is still available in both mass market and digital, but Changeling did not go back for a second printing, so those copies are dwindling.Changeling is available in trade format through a print-on-demand service, but once the mass market copies are sold out, that's done.
When it came time to submit a proposal for more books, Pocket chose to only offer to publish books three and four (Tempest, Chimera) in digital format. I accepted the offer because I love these characters, and I love their world, and I wasn't ready to say goodbye. Digital only is better than nothing at all. Did I know going into it that I would lose readers? Yes, and I'm sorry for that. But I was going to lose readers no matter what.
Again, it's all about sales. Publishing is a business, and despite good reviews across the board, my books aren't selling well. When that happens, publishers go to a simpler format, or they don't offer another contract. Sometimes with digital first imprints, a book may be offered in print at a later date if the digital sales are good. This type of contract is happening more and more frequently for mid-list authors, as evidenced by a recent Publisher's Weekly article. This is the type of contract offer I received for my most recent submission to New York publishers (which I will talk about more when I am able). It's an interesting shift that reflects our changing times, when ereaders and smartphones are taking over our lives and our society.
I often have folks tell me they don't own a Kindle, or another e-reading device. The good news is that even if you don't have an e-reader, there are lots of free apps that allow you to read digital books on a smart phone, tablet, and even on your personal computer. For a long time, I read digital-only books on my laptop, because being able to read those stories was more important to me than having a paper book in my hands (then I finally saved up and indulged in a very basic Nook). There are ways to read digital books without buying an e-reader.
Digital is simply another format, much like hardcover or trade paperback. And digital is not going away. For some writers, it's becoming our lifeblood and our only source of income. Do I wish I could make all of my readers happy and give them the format they want? You bet your ass, I do. Can I? No. I don't wield that kind of power.
The only real power I have is to craft the most entertaining stories that I can possibly tell, and then do my best to get them into the marketplace.
After that, it's out of my hands.
Tuesday, October 08, 2013
CHIMERA Chapter One
So with CHIMERA (MetaWars 4) releasing in only five more weeks, here is the first chapter for your perusal. Welcome to the crazy that is Renee Duvall's mind.
One
New
Game
Tap. Tap. Tap.
“Do
you have to do that?”
“Yes.”
Tap. Tap. Tap.
“Are
you certain?”
“Yes.”
I twisted around in the van’s passenger seat and glared at the older woman in
the backseat. I tapped my fingertips on the window glass three more times to
emphasize my point.
Alexia
Lowe wore what I call her Mom Face—a flat, disapproving stare that probably
made five-year-olds nervous, but had no effect on me. I wasn’t five, she wasn’t
my mom, and frankly, I could have done without her presence altogether in
tonight’s little operation.
Three
months ago, if you’d told me I’d be on a stakeout with a recently pardoned Bane
as one of my two partners, I’d have told you to go fuck yourself. Maybe
followed up by a swift punch in the mouth. Getting any of the Banes out of
Manhattan Island Prison, much less working with one, was so far at the bottom
of my priority list as to be the inner core to my exosphere.
Yes, I
know the name for the outermost layer of the earth’s atmosphere. You try being
homeschooled from the age of twelve by two rigorous (but kindhearted) foster
parents who firmly believed I deserved the best education possible, despite the
double whammy of being a former Meta and blue. Of course I came out of it with
the world’s most random comparisons. Plus, I liked geology.
Anyway,
the Banes belong in their prison; end of discussion.
My, oh,
my, how things change in a couple of months. Things have changed for pretty
much everyone in my life. My thoughts on the matter, however? The same. It’s
lucky for the Banes that my vote doesn’t matter.
I didn’t
mind sitting on a stakeout in a nondescript black delivery van with Ethan. I’ve known
him since we were kids. He’s one of
my best friends, I love him to pieces, and I trust him with my life. The same
could not be said for Alexia. Despite the fact that she’d been part of the
Quake Relief effort last month and then cashed in that assistance for a full
pardon for past crimes, she is and always will be a Bane. A villain. A bad guy.
It’s a
good thing Teresa West is in charge of this entire operation, and not me. I’d
have gotten us all killed a long time ago. Leader I was not. Balanced, either,
if you want the God’s honest truth. I mean, how would you feel if you’d been
burned over 70 percent of your body by an insane genetic hybrid created for the
sole purpose of . . . well, we still weren’t sure of the exact purpose of the
Recombinants. Just that they’ve been a huge fucking pain in the ass.
The
warehouse Ethan, Alexia, and I were staking out tonight belonged to a chain of
grocery stores that had swallowed up every other major chain grocer on the East
Coast about six years ago. The main distribution center was in Tallahassee (one
of the fastest-growing cities in the South right now), but they had other
warehouses spread all over the place. In the last year or so, eight of them had
been robbed and full tractor-trailers of food stolen. Considering the size of
those distribution warehouses, a single tractor-trailer load wasn’t a huge
amount, but stealing is stealing.
The
human police were stumped. No evidence, nothing caught on security cameras, no
trace of the trucks ever found, which, to the geniuses in charge, suggested
Meta involvement.
Which
logically meant they got us involved.
We
were in Harrisburg, Pennsylvania, parked a block away from the warehouse’s main
gate, tracking all movement on a laptop. Thanks to Marco’s genius with
computers, as well as some handy surveillance gadgets gifted to us by a friend
in the FBI, we had sound and motion detectors set up around the entire
perimeter gate. We didn’t need to have actual eyes on the gate to know if
someone showed up.
Ethan “Tempest”
Swift sat in the driver’s seat, his face illuminated by the pale glow of the
laptop monitor. He’d spent most of the last few hours staring at it, as if he
could use his brain to make something happen. Not that telekinesis is his
superpower, in case you’re just catching up. Ethan’s power is controlling the
wind. He can move it, funnel it, and even use it to fly, the lucky bastard. It’s
an active power that’s saved our collective asses more than once, and I’d trade
mine for his in a second. Not that I’d ever say that to his face.
Anyway,
the laptop would ding and alert us if there were any movement, but I guess
staring was better than making idle conversation. Not that Ethan and I ever had
trouble idly conversing. I just preferred to not make nice with our third
wheel.
Alexia
is nice enough, I suppose, and she has an incredibly useful power—she can sense
most metals, differentiate between various kinds, and telekinetically
manipulate most of them. The ability helped us save a lot of lives during the
Quake Relief. Her eight-year-old daughter, Muriel, still lived in Manhattan
with her father, whose parole hearing was in about three weeks. If things went
baby daddy’s way, all three of them would be living with us at our new
headquarters.
In
case you were wondering, our little trio wasn’t the only group spending their
Friday night on a stakeout. The thieves were too random with their targets for
us to determine exactly where they’d rob next. The only thing we knew for sure
was that it would happen tonight—every forty-four days the thieves hit another
warehouse. The significance of forty-four was lost on me, though, and despite
an abundance of useless knowledge imparted to me by my foster parents and their
guerilla education tactics, I wasn’t the brains of our operation.
I wasn’t
really much of a soldier lately, but I can’t do much to help that. The burns,
which have mostly healed, affected my Flex ability to bend and stretch my
entire body into contortions epic enough to make a treble clef jealous. Nowadays
I’d be lucky to impress a curlicue. My right arm isn’t useful for anything
except the occasional punch, or aiming a gun. My foster father Alfred taught me
how to handle, clean, and shoot a variety of rifles and handguns, and I’m
pretty damned good. I abhor actually doing it, and I’ve never aimed a gun at an
actual person before, but it’s nice to know I still have a useful skill under
my belt, since I kind of suck at Flexing now. I can still bend and twist my
torso, but I can’t stretch it out anymore. The only parts of my body that still
stretch to any unusual length are my legs and my left arm.
Losing
so much of my Flex power was like being twelve years old again. Those first few
months after all our powers were stolen away were the most difficult of my
life—no powers, no friends, no one to turn to except the uncaring doctors of
the Mercy Children’s Hospital Psychiatric Unit. Not until my foster parents
took me in and saved my sanity. Having Teresa, Gage, Ethan, and Marco around
while I adapted to my latest loss in powers was the only reason I hadn’t
completely lost my shit again.
Even
if I am a bitch to be around a lot of the time. But I bet if Teresa really knew
everything rolling around in my head, she’d say something along the lines of, Better to have your foot in your mouth than
your arms in a straitjacket. And I’d agree. Except Teresa doesn’t know everything in
my head. The only person
who knew, the first person I’d confessed it all to, was William Hill, and all
of those secrets died with him back in January.
I just
can’t be that vulnerable again. So I play the part of the confident, prickly
uber-bitch.
Like
right now with Alexia. She knew I didn’t approve of her presence. I was, in
fact, pretty well known around the new HQ as the only original ex-Ranger to
still silently disapprove of everything Bane-related. Silently—key word. Teresa
is my best friend in the world, but I’m not stupid enough to actively oppose
her decisions.
Tap. Tap. Tap.
“Renee,”
Ethan said, exasperation clear in his tone. “It really is annoying.”
“Sorry.”
For him, I stopped tapping my fingers on the window.
In the
backseat, Alexia sighed. I glanced at the clock on the laptop. Two in the
morning, which was damn close to when the other robberies had taken place. If
something was going to happen here, it would be soon. The other two stakeout teams
were in different,
later
time zones,
so they had us as an early warning system.
We sat
and fidgeted in silence for a while. At about ten after two, the mute laptop
made a noise. My heart leapt. Finally, some action. The noise wasn’t the sharp
alarm that announced human-sized movement by the fence, though. The birdlike
chirp easily could have been just that—a bird flying too close to the fence, or
a breeze blowing a piece of trash.
Ethan
tapped a few keys. The laptop display shifted to video surveillance of the main
gate, an overhead angle from the camera’s position on the telephone pole across
the street. I leaned closer to the screen, but didn’t see anything out of the
ordinary.
“There,”
Alexia said. She’d slid forward between the two front seats, and she touched
the monitor at the gate’s upper hinge.
Sure
enough, the hinge was moving. Both the top and bottom hinges, as a matter of
fact, and the locking mechanism on the opposite side, too. And not just moving.
Melting. All of the police reports on the other robberies mentioned the front
gate being completely removed, and blowtorches were the most common theory on
how that was accomplished. But unless our thieves used invisible blowtorches
(and were invisible themselves), this was some sort of Meta power at work.
I
turned on my com and said, “Alpha team to Beta and Ceti, we have movement. Possible
robbery suspects.”
“Acknowledged,
Alpha team,” Marco
replied over the com. He was heading up Beta team, and his response was
followed almost immediately by one from Ceti team.
A
series of chirps erupted from the laptop—more micro-movement inside or around
the gate. Ethan changed the screen to show all eight camera angles at once. They
were small, which made it harder to see details. Something tumbled to the
ground on the west corner of the warehouse, probably a security camera.
“I
think it’s safe to assume one of our suspects is a metal manipulator,” Alexia
said.
“Human
blowtorch,” Ethan said in a quippy tone that made me smile.
“So
the human blowtorch unlocks the gate and kills the cameras,” I said. “How do
they make the truck disappear?”
“Time
to meet the magicians and find out.”
We
climbed out of the van as a unit and met at the fender. Ethan and Alexia wore
similar uniforms of black cargo pants and black jackets, each with pockets for
accessories like coms, utility knives, and emergency cell phones. My uniform
was a reproduction of my original—which had been burned beyond usability at the
same time I was—made of a snakeskin-like material that stretched with my body. This
one was still a unitard, but without the low, revealing back of the first, and
with the addition of a belt that held my own extra items.
Under
the glow of a nearby streetlight, my hands flashed a familiar azure shade, both
comforting and annoying. I’d embraced my blue skin a long time ago, but
sometimes it made stealth work tricky.
Ethan
led. We stuck close to the building across the street from the warehouse fence,
keeping to the shadows as we approached the main gate. There was no traffic
here at this time of night, and we’d checked the area an hour ago for any
transients or hookers who might turn into accidental collateral damage. Should
be just us and our thieves.
At the
end of the block, we clustered under the overhang of the building’s main
entrance, boarded up and abandoned long ago, which afforded us protection from
spying eyes. The main gate was across the street, less than thirty feet away,
and just as we reached our hiding place the gate toppled over backward with a
jarring clang of metal.
My
body prickled with kinetic energy as it always did when my adrenaline was up. Muscles
and bones thrummed with the power to change their shape, to release that
adrenaline the best way they knew how—except a large portion of my damaged skin
no longer allowed such a release. It’s like walking a fine line between pain
and pleasure, when the pain is just a little too intense and never reaches that
peak that turns into the best orgasm you’ve ever had. Release remains out of
reach; pain and frustration is your constant reminder.
It
sucks.
We
remained in the shadows of our hiding place, watching and waiting for our
thieves to show their faces. They didn’t disappoint.
Two
slim figures stole into the street from the construction lot on the next block,
and for a split second I was confused. They appeared to be regular teenagers,
dressed in jeans and sneakers. The boy was slightly taller, with average brown
hair, and he wore a red T-shirt with the imprint of a white skull. The girl had
close-cut fire-engine-red hair (natural or dyed, I wasn’t sure) and wore
several layers of tank tops in different colors. No ski masks, no backpacks of
equipment. They couldn’t be older than twenty.
Ethan
glanced at me, his green eyes asking the same question as mine: These are our thieves?
Then
again, last month we’d come up against the twenty-year-old versions of our dead
parents and mentors, thanks to the genetic manipulation of certain government-funded
research companies. We’d had more bizarre opponents than a pair of punk
teenagers.
Jack
and Jill—their new names until we caught their punk asses and identified them
correctly—strolled right through the broken front gate. Targets acquired.
I
unsnapped the safety strap on my modified Coltson .45, a semiautomatic pistol most popular
about five years ago, when Colt bought the Glock and began manufacturing a new
line of hybrid pistols. Dr. Abram Kinsey, our group’s resident scientist,
doctor, and general inventor, had created and perfected special magazines of
tranquilizer rounds for those Coltsons. Rounds we rarely used in the field, but
could be useful in taking down uncooperative Metas and Recombinants without
having to kill them. Tonight we were all armed, but as the weakest person in
our little trio, I was the only one who actually retrieved my pistol.
Ethan
turned to face me and Alexia. He pointed at himself, then the sky, with a
single finger. At his eyes with two fingers. Translation: I’m going up to see what’s going on.
I
nodded. He slipped around to the other side of the building, the wind rippled a
bit, and then silence. I waited for a signal, whether from him or from inside
the fence. We had to catch the thieves in the act, or all we had on them was
unlawful entry, but patience wasn’t my strong suit.
“I’ve
got a line on them,” Ethan said moments later, his voice a little hard to hear
over the windy com. “The girl is melting a door off a delivery platform while
the boy’s backing up a tractor-trailer.”
Well,
now we had them on destruction of property. “Copy that,” I said. “How do you
want to do this?”
“We
need to stop them before they finish loading the truck. One of them definitely
manipulates metal, and once they’re inside the truck, they have a two-ton
weapon at their disposal.”
“I can
get us inside through another entrance,” Alexia said. “Once they’re busy
loading food, they probably won’t notice us until it’s too late.”
“Okay,
there’s an employee door on the north side of the warehouse, about twenty yards
from the gate. Hold on.”
I
counted to seven before he ended the pause.
“They’re
inside. Go now.”
Alexia
and I ran across the street, right through the nonexistent gate. Our shoes were
quiet on the blacktop, and Ethan was waiting for us at our entry point. Two
blue metal doors had no admittance
painted in white letters, like a dare.
Alexia
pressed her palms against the door, doing whatever it was she did when she “read”
metal. She could identify types of metals, even from a distance, and the more
natural a metal’s state, the easier it was for her to move or break it.
“Hinges
and locks,” she said. “I can break through them with little damage.”
“Perfect,”
Ethan said.
“Do
you think they’ll bill us for this?” I asked, and he snickered. One of our
workplace rules was to cause as little property damage as possible.
We did
our best.
Alexia
used her Meta power to tear apart the metal in the left door’s hinge and lock,
and as a unit we quietly moved the heavy door out of the way. No alarms
sounded, which did not surprise me, since (as with the blowtorched gates) all
of the police reports said that alarm systems were tampered with.
We
entered a short lobby that led into a long hallway. We’d all studied the specs
of the warehouse beforehand, so getting through the management section of the
building was easy. Then down a long, drab corridor that ended at a pair of
swinging double doors. Opaque glass squares didn’t give us much of a view into
the main warehouse, but the lights were on. I heard the gentle hum of voices—nothing
else to indicate they were moving pallets yet.
Ethan
shifted to my right, ready to shove open the door. I thumbed the safety off my
Coltson. My heart pounded. My body thrummed with anticipation.
Both
doors swung inward on a pop of kinetic energy and slammed flat against the wall
on either side. I stepped backward, stunned by the sudden action. Jack and Jill
stood less than ten feet away, side by side, feet spread and hands out to their
sides like passengers steadying themselves on a rocking boat. Only they weren’t
unbalanced. They were ready to fight.
“Didn’t
your parents tell you it isn’t polite to crash other people’s parties
uninvited?” Jack said in a familiar, petulant teenager tone.
I
bristled. Oh, I didn’t like this kid. “Didn’t your parents tell you it’s even
less polite to break-and-enter other people’s property?” I asked, and raised my
right hand. Over the sight of the pistol, I stared down our teenage thieves.
As a
trio, we moved a few steps forward, into the frame of the doorway.
“Since
when do Rangers carry guns?” Jill asked.
“News flash,
kiddo,” I said. “We aren’t the Rangers anymore. Now, why don’t you both put
your superpowered hands behind your backs and come with us quietly?”
“No.”
“We’re
busy,” Jack said with a snarl in his voice. He snapped his right hand in our
direction.
Energy
crackled, and before we could react to defend ourselves, the double doors came
slamming right back at us. Like an unexpected tackle from a defensive lineman,
the blow sent all three of us tumbling backward in a messy, pained heap. Light
exploded behind my eyes as my head cracked off the cement floor. Ethan’s elbow
hit my gut. Alexia was somewhere under my left shoulder.
“Okay,”
Ethan said as he rolled off to the right. “Now I’m pissed.”
“No
more easy way, right?” I said.
“No
more easy way.”
Fan-fucking-tastic. Time to take
down some teenagers.
Friday, September 20, 2013
CHIMERA Cover Copy, So Y'all Know What the Book Is About
With less than two months until release, I now have a description for you beyond "It's Renee's book, yo!"
And handy, dandy pre-order links.
A mysterious and dangerous conspiracy deepens, threatening the superpowered Rangers and pushing Flex to join forces with one of her team's mortal enemies: a Bane called Chimera.
Growing up with blue skin never made Rene "Flex" Duvall feel like at outcast. She learned early on to put people at ease with her wit and exuberant personality. So she's certainly not going to let her façade crack when she and her teammates suddenly face a new breed of genetically manipulated and brainwashed Metas: the well-trained teenage criminals known as the Recombinants.When a desperate battle leaves one of their friends wounded, Renee and Ethan follow a clue to Manhattan Island, where the Banes have been imprisoned. There they find a Bane named Chimera, who refuses to cooperate despite possessing information that could help them stop the Recombinants. Chimera's emotional scars are as devastating as Renee's physical scars, and soon the two find common ground in shared pain. Against her better judgment, Renee forms an alliance with this Bane. They both can gain much from working together, so the only question is who has more to lose by cooperating . . . .
And handy, dandy pre-order links.
Tuesday, July 23, 2013
MetaWars Boxed Set
So last week on Twitter I teased about an interesting development for the MetaWars series. Alas, it wasn't an announcement of more books. But it's something that I think will bring a lot of new eyeballs to the series, and in turn, help secure future books (trust me, you'll want to know what comes after CHIMERA).
MetaWars: The Complete Series will be an ebook set featuring TRANCE, CHANGELING, TEMPEST and the upcoming CHIMERA. The book set will be available November 11, the same day that CHIMERA releases. So folks who've bought the other three can just get CHIMERA, and anyone who's wanted to try the series and loves a bargain can pick up the whole 1000-page shebang.
MetaWars: The Complete Series will be an ebook set featuring TRANCE, CHANGELING, TEMPEST and the upcoming CHIMERA. The book set will be available November 11, the same day that CHIMERA releases. So folks who've bought the other three can just get CHIMERA, and anyone who's wanted to try the series and loves a bargain can pick up the whole 1000-page shebang.
Tuesday, April 23, 2013
A Couple of Links
I said I'd be back with a few links to some of the guest posts floating around out there. Check them out and leave them a little love in the form of a comment.
A discussion of villain dynamics in the MetaWars world is up over at CMash Reads.
"The Family You Make" is over at Tote Bags 'n' Blogs.
I'm participating in the Fantastic Fables event at Dark Faerie Tales. My story is a bit of a MetaWars take on Hansel and Gretel, starring Ethan and Marco, called "Cookie Monster."
An interview at Bibliophilic Book Blog.
A discussion of villain dynamics in the MetaWars world is up over at CMash Reads.
This possibility of change was one of the big building blocks of TEMPEST. I used this book to really explore the hero/villain dynamic of the MetaWars world.
"The Family You Make" is over at Tote Bags 'n' Blogs.
But families are more than simple biology. They the people you choose to love and to allow into your life. They laugh with you, cry with you, and they'll bury a body for you (metaphorically, in most cases, but you never know….). I appreciate "made families" in real life, but I truly enjoy exploring those dynamics in fiction—movies, television, and books.
I'm participating in the Fantastic Fables event at Dark Faerie Tales. My story is a bit of a MetaWars take on Hansel and Gretel, starring Ethan and Marco, called "Cookie Monster."
We weren’t Hansel and Gretel traipsing through the woods, so I had no reason to fear whatever was behind the gingerbread door, but that didn’t mean I was going to walk up to it and invite myself into trouble. I attracted injuries like a human lodestone.
An interview at Bibliophilic Book Blog.
Q. What is the hardest part of writing for you?
Telling myself that it's okay to stop and walk away for a while.
Saturday, April 20, 2013
Tempest: Chapter One Teaser
With TEMPEST releasing in only two days, I was going to whet your appetite with all of Chapter One--until I realized that Chapter One is, like, twenty-five pages. That's a lot of text for a blog post, so instead I present the first scene in Chapter One. And if you like what you see, don't forget to buy TEMPEST on Monday from Amazon, BN, Kobo, and other online retailers!
###
###
One
West Hollywood
"Greens are such a pain in the ass.”
I
hadn’t intended my comment to come out loud enough for anyone to overhear,
especially my boss and partner for the night, Teresa West, but she heard it
anyway and gave me a quelling glare from her side of the pile of rubble we were
crouching behind. I didn’t take the words back, though. My personal ass was in
quite a bit of its own pain after a telekinetic blast from the aforementioned
Green knocked me onto it about two minutes ago. “Green” was our chosen word for
young, untrained Metas who thought it was cool to use their newly discovered
powers to break the law.
Such
as the telekinetic Green attempting to rob West Hollywood’s only branch of the
Second National Bank of California. Most average bank robbers go in during the
day, when a teller can hand over the cash. Our bank robber thought she was
clever by going in at three in the morning to tear out a few walls.
Fortunately
for us, she wasn’t clever enough to test her newfound powers before the
robbery, or she’d have known they didn’t actually work on steel. She’d spent so
much time fighting to open the vault, LAPD had showed up—then they decided to
call us in to deal with the mess. As the leader of our band of mismatched
former Rangers, Teresa accepted the job and then promptly assigned
herself. Her Meta ability lets her shoot
awesome purple balls of energy, capable of annihilating walls, out of her fingers,
as well as create the occasional force field. She volunteered me because I can
control the wind. Ethan “Tempest” Swift at your service. Among other handy
things, I can stop the wind from moving, blast it out, spiral it like a drill,
and use it to fly.
The
bank robber—whom we hadn’t actually seen yet, but whose screams of frustration
had a decidedly female pitch—was not happy
when we appeared on the scene .
My pained ass and the pile of rubble serving as our shield against her tantrum
(rubble that used to be part of the building across the street from the bank)
were proof.
“She’s
terrified,” Teresa said.
“That
tends to happen when you rob a bank and the cops show up,” I replied with a
heaping dose of sarcasm.
Teresa
has a thing about helping Metas. All Metas, but especially the Greens. I love
her to pieces, but most days I just don’t get her ability to see the best in
people—especially after all the shit we’ve been through at the hands of
regular, non-Meta kinds of people.
I
peeked over the top of our debris pile.
The entire front of the bank was missing, giving us a clear view of a counter
and several shattered teller windows. The vault was somewhere in the back.
North La Cienega Boulevard was mostly clear, with a cop car parked at each end
of the block to keep gawkers away. Crowd control was about the only thing cops
were useful for in Meta-related situations, anyway.
My
back twinged and I shifted my weight onto my left knee. “Look, I have an idea
to get her out and keep her from smashing anything else with her temper,” I
said.
“Do
tell.”
“Ever
heard of the Tasmanian Devil?”
“The
animal?”
“Old
cartoon character.”
Her
eyebrows furrowed and she opened her mouth to say something, then shut it.
Understanding smoothed out the lines on her forehead. She held out her right
hand, palm up. A hazy purple orb formed there, the kind of fuzzy powerball she
used to knock people around without causing serious damage. “Just tell me when,”
she said.
With
the boss’s vote of confidence, I stood up. Yes, it made me a big freaking
target, but oh well. I had a better view of the bank and the actual volume of
air inside. I moved the air with ease, grabbing it hard and spinning it in a
tight, formed cyclone that sent paper, glass, and other small debris inside the
bank zinging away. The cyclone danced toward the back of the bank, and I closed
my eyes, waiting for the change in pressure that signaled I’d caught something.
Adrenaline
pulsed into my blood, as much from the thrill of using my powers as from being
made a target, standing in the open like that. Any idiot with a gun and a
strong belief in Governor Martin Winstead’s anti-Meta propaganda could get
frisky and try to take us out. Hell, some of the cops had looked ready to take
a pop at us the instant we showed up at the scene, like we were there to assist
the bank robber instead of stop her.
A
little extra wind fluttered around me, but the majority of it had created a
person-sized tornado inside the bank—and a sharp snap against my control told
me that the Green was fighting back. Awareness prickled the skin on the back of
my neck. I zeroed in on the opposing force and shoved right back, tightening
the cyclone, whipping the air around faster, harder.
Ever
stuck your hand out the window of a speeding car just to feel the wind rushing
around your fingers? Imagine that all over your body, slamming against your
face, numbing your skin. The telekinetic pushback felt like that.
Easiest
way to end this would be to send my cyclone into the nearest wall and use the
shrapnel cloud to knock the bank robber silly. Two major problems with the easy
way: one, I’d get my ass reamed (and not in the fun way) by Teresa if I
intentionally injured the Green when avoiding it was still possible; and two,
causing unnecessary property damage was near the top of our To Don’t list.
So
no knocking out a wall to knock out the latest Meta-powered felon of America.
Not tonight.
I
pulled more air into the bank and into the volume of the cyclone. The buildings
around the bank creaked under the pressure changes. If I didn’t end this soon,
a wall somewhere was coming down in the next sixty seconds.
“Tempest?”
I ignored Teresa’s impatient use of my code name and shoved everything I had into
getting that cyclone moving. The teller counter crumpled (not my fault) and
pieces got sucked into the cyclone (by accident). Trying to expel them would
take too much of my concentration, so I tempted Teresa’s wrath and broke
through the telekinetic’s resistance with my cyclone—at the exact same moment,
a piece of desk, aimed right at my head, zoomed out of the bank.
The
desk exploded in a shower of shrapnel and purple sparks.
Note
to self: Thank Teresa.
The
pressure inside my air cyclone had changed now that the Green was stuck inside
it, probably getting the snot smacked out of her by all the crap she’d made me
suck up like the world’s strongest vacuum cleaner. I drew the cyclone out of
the bank, which ripped up the tiled floor and sent pieces sailing into the
street. The thick swirl of gray and brown whipped
the air, and my intense hold on it sent a tremor down my spine.
“Anytime,”
I said, nearly shouting to be heard over the roar of my own powers.
“Now!”
Teresa said.
I
dropped the wind completely and fell to my knees, my entire body shivering from
the stress of holding the cyclone for so long. The debris collapsed to the
ground just outside the bank, and the black-clad figure trapped inside teetered
on her feet for a split second—then a purple orb knocked her backward, into the
wall of the building next door, shattering it with amazing ease. The Green
stayed down.
The
rest of the Second National Bank of California collapsed with a long,
thunderous groan.
As
the dust settled, I looked up at Teresa and grimaced. “Oops?”
“Big
fucking oops,” she replied. She shook her head, her expression as sad as it was
frustrated. “The mayor’s going to have a field day with this.”
Of
that I had no doubt. The mayor of Los Angeles, Christina Ainsworth, tolerated
our presence in her city the way a homeowner tolerates a nearby hornet’s nest—by
ignoring us until we made too much noise, and then attacking without mercy. And
with her favorite presidential candidate, Governor Winstead, in town stumping
for votes on his anti-Meta platform and due to give a public press conference
tomorrow afternoon, we were screwed.
Sometimes
trying to help people came back to bite you.
And
not in the fun way.
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